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Paul Getty Trust \u003Ca href=\"https:\u002F\u002Fwww.getty.edu\u002F\">Getty Institute\u003C\u002Fa> \u003Ca href=\"https:\u002F\u002Fcla.csulb.edu\u002Fprograms\u002Famericanstudies\u002Fevent\u002Ffar-sited-creating-and-conserving-art-in-public-places\u002F\">FAR-SITED\u003C\u002Fa> x UAM CSULB 2015 | The Cassandra Complex = Conservation Issues in Public Art | Long Beach, CA, United States\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Host:\u003C\u002Fstrong>\u003Cbr>\r\n\u003Ca href=\"https:\u002F\u002Fwww.csulb.edu\u002Fschool-of-art\u002Fpage\u002Fbrian-trimble\">Brian Trimble\u003C\u002Fa>, Interim Director at the \u003Ca href=\"https:\u002F\u002Fwww.csulb.edu\u002Fcarolyn-campagna-kleefeld-contemporary-art-museum\">University Art Museum\u003C\u002Fa> \u003Ca href=\"https:\u002F\u002Fwww.csulb.edu\u002F\">CSULB\u003C\u002Fa>\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Moderator:\u003C\u002Fstrong>\u003Cbr>\r\n\u003Ca href=\"https:\u002F\u002Fwww.getty.edu\u002Fauthor\u002Frivenc-rachel\u002F\">Rachel Rivenc\u003C\u002Fa>, Associate Scientist at \u003Ca href=\"https:\u002F\u002Fwww.getty.edu\u002Fconservation\u002F\">Getty Conservation Institute\u003C\u002Fa>\u003C\u002Fp>\r\n\u003Cp>\u003Cstrong>Panelists:\u003C\u002Fstrong>\u003Cbr>\r\nGrimanesa Amoros, Artist,  \u003Ca href=\"https:\u002F\u002Frlaconservation.com\u002Frla-conservation-staff\u002F\">Rosa Lowinger\u003C\u002Fa>, Principal and Chief Conservator of the \u003Ca href=\"https:\u002F\u002Frlaconservation.com\u002F\">RLA Conservation of Art & Architecture\u003C\u002Fa>\u003Cbr \u002F>\r\n\r\n\n    \u003Cdiv class=\"highlights artist-statement\">\n        \u003Cbutton class=\"highlights-button artist-statement\">\n            Learn More\n            \u003Cdiv class=\"plus\">\u003Cspan>\u003C\u002Fspan>\u003Cspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n        \u003C\u002Fbutton>\n        \u003Cdiv class=\"highlights-drop-down\">\r\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fen.wikipedia.org\u002Fwiki\u002FJ._Paul_Getty_Trust\">The J. Paul Getty Trust\u003C\u002Fa> is the world’s largest cultural and philanthropic organization dedicated to the visual arts. It advances and shares the world’s visual art and cultural heritage for the benefit of all. It is a cultural and philanthropic institution dedicated to the presentation, conservation, and interpretation of the world’s artistic legacy. Through its constituent programs’ collective and individual work, Getty pursues its mission in Los Angeles and across the globe. It serves both the general interested public and a wide range of professional communities to promote a vital civil society by understanding the visual arts.\u003Cbr \u002F>\r\nGetty Institute FAR-SITED is a conference on public art co-organized by the Getty Institute, the University Art Museum at California State University Long Beach, and the \u003Ca href=\"https:\u002F\u002Fmolaa.org\u002F\">Museum of Latin American Art\u003C\u002Fa>.\u003C\u002Fp>\r\n\u003Cbr>\r\n\u003Cp>To watch the complete conference on YouTube, please click \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=_5CDHG1wIak\">here\u003C\u002Fa>.\u003C\u002Fp>\r\n\u003C\u002Fdiv>\n    \u003Cdiv class=\"highlights-bottom-border\">\u003C\u002Fdiv>\n    \u003C\u002Fdiv>\r\n\n    \u003Cdiv class=\"highlights artist-statement\">\n        \u003Cbutton class=\"highlights-button artist-statement\">\n            Video Transcript\n            \u003Cdiv class=\"plus\">\u003Cspan>\u003C\u002Fspan>\u003Cspan>\u003C\u002Fspan>\u003C\u002Fdiv>\n        \u003C\u002Fbutton>\n        \u003Cdiv class=\"highlights-drop-down\">\r\n\u003Cp>\r\n(0:46) Good afternoon. I just want to say thank you for having me. This accumulation made a lot of the different ecosystems. There was a lot of fissures…\r\n\u003C\u002Fp>\r\n\r\n\u003Cp>\r\n(1:48) To me, that would be a new form. And, yes, indeed, I’m open. I’m always open. It’s flexible. You know, you have to go underwater.\r\n\u003C\u002Fp>\r\n\r\n\u003Cp>\r\n(2:03) I love the ephemeral part of it. That’s the part that I love about lighting. You know, you want to stay in that moment, but you really, truly, you can’t. You can’t catch it. You know, of course, the lighting is inside this structure, this physical sculpture, but you can’t really have it for yourself.\r\n\u003C\u002Fp>\r\n\r\n\u003Cp>\r\n(2:27) The challenge here would be, in the next 50 years, have the equipment, the computer, to be able to read it. That’s the key to me.\r\n\u003C\u002Fp>\r\n\r\n\u003Cp>\r\n(2:47) The ones that before had different hues and the colors were much more intense. So, the piece, really, truly, will never be the same.\r\n\u003C\u002Fp>\r\n\u003C\u002Fdiv>\n    \u003Cdiv class=\"highlights-bottom-border\">\u003C\u002Fdiv>\n    \u003C\u002Fdiv>",false,{"title":14,"description":15,"robots":16,"canonical":7,"og_locale":22,"og_type":23,"og_title":14,"og_description":15,"og_url":7,"og_site_name":24,"article_modified_time":25,"og_image":26,"twitter_card":32,"schema":33},"Getty Institute FAR-SITED UAM CSULB | Grimanesa Amorós","Grimanesa Amorós is the panelist of the Getty Institute FAR-SITED conference, which is co-organized by the Getty Institute and UAM CSULB.",{"index":17,"follow":18,"max-snippet":19,"max-image-preview":20,"max-video-preview":21},"index","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","GRIMANESA AMOROS","2026-07-02T17:48:37+00:00",[27],{"width":28,"height":29,"url":30,"type":31},1268,714,"https:\u002F\u002Fwww.grimanesaamoros.com\u002Fwp-content\u002Fuploads\u002F2016\u002F05\u002Ffar-stied-conservation-issues-public-art-getty-foundation-conversation-panel-grimanesa-amoros.jpg","image\u002Fjpeg","summary_large_image",{"@context":34,"@graph":35},"https:\u002F\u002Fschema.org",[36,51,54,64],{"@type":37,"@id":7,"url":7,"name":14,"isPartOf":38,"primaryImageOfPage":40,"image":42,"thumbnailUrl":30,"datePublished":43,"dateModified":25,"description":15,"breadcrumb":44,"inLanguage":46,"potentialAction":47},"WebPage",{"@id":39},"https:\u002F\u002Fwww.grimanesaamoros.com\u002F#website",{"@id":41},"https:\u002F\u002Fwww.grimanesaamoros.com\u002Flecture\u002Fgetty-institute-far-sited\u002F#primaryimage",{"@id":41},"2016-05-13T00:47:19+00:00",{"@id":45},"https:\u002F\u002Fwww.grimanesaamoros.com\u002Flecture\u002Fgetty-institute-far-sited\u002F#breadcrumb","en-US",[48],{"@type":49,"target":50},"ReadAction",[7],{"@type":52,"inLanguage":46,"@id":41,"url":30,"contentUrl":30,"width":28,"height":29,"caption":53},"ImageObject","Grimanesa Amorós Lecture at the The Getty Foundation as part of FAR-SITED",{"@type":55,"@id":45,"itemListElement":56},"BreadcrumbList",[57,62],{"@type":58,"position":59,"name":60,"item":61},"ListItem",1,"Home","https:\u002F\u002Fwww.grimanesaamoros.com\u002F",{"@type":58,"position":63,"name":9},2,{"@type":65,"@id":39,"url":61,"name":24,"description":66,"alternateName":67,"potentialAction":68,"inLanguage":46},"WebSite","","Grimanesa Amoros",[69],{"@type":70,"target":71,"query-input":74},"SearchAction",{"@type":72,"urlTemplate":73},"EntryPoint","https:\u002F\u002Fwww.grimanesaamoros.com\u002F?s={search_term_string}",{"@type":75,"valueRequired":76,"valueName":77},"PropertyValueSpecification",true,"search_term_string",{"title":79,"description":15,"ogTitle":79,"ogDescription":15,"ogImage":80,"twitterCard":32,"datePublished":81,"dateModified":82,"altText":83,"schemaDesc":84,"location":66,"media":66,"year":85,"keywords":66,"videoName":86,"videoUploadDate":87,"posterImage":88,"videoUrl":89,"sliderImages":90,"lcpWidth":91,"lcpHeight":92,"breadcrumb":93},"Getty Institute UAM CSULB | Art Lecture | Grimanesa Amorós","https:\u002F\u002Fwww.grimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002Ffar-sited-conservation-issues-public-art-getty-foundation-conversation-panel-grimanesa-amoros.jpg\u002Foriginal","2016-05-12T20:47:19","2026-07-02T13:48:37","Grimanesa Amorós participating in the FAR-SITED panel discussion The Cassandra Complex: Conservation Issues in Public Art, co-organized by the J. Paul Getty Trust Getty Institute, the University Art Museum at California State University Long Beach, and the Museum of Latin American Art, hosted by Brian Trimble and moderated by Rachel Rivenc, Associate Scientist at the Getty Conservation Institute, alongside conservator Rosa Lowinger, Long Beach, CA, 2015.","The FAR-SITED conference is a conference on public art, with panelist and world renowned artist Grimanesa Amorós.","2015","The J. Paul Getty Trust Getty Institute FAR-SITED x UAM CSULB 2015 | The Cassandra Complex = Conversation Issues in Public Art","2016-05-12T00:00:00-04:00","https:\u002F\u002Fwww.grimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002Ffar-sited-conservation-issues-public-art-getty-foundation-conversation-panel-grimanesa-amoros.jpg","https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=sEgcCoVO714",[],2500,1593,{"@type":55,"@id":45,"itemListElement":94},[95,96],{"@type":58,"position":59,"name":60,"item":61},{"@type":58,"position":63,"name":9},1784069367601]