[{"data":1,"prerenderedAt":139},["ShallowReactive",2],{"press-the-getty-iris":3},[4],{"id":5,"date":6,"date_gmt":7,"guid":8,"modified":10,"modified_gmt":11,"slug":12,"status":13,"type":14,"link":15,"title":16,"content":18,"featured_media":21,"parent":21,"menu_order":22,"template":23,"Press Categories":24,"class_list":28,"acf":36,"yoast_head":42,"yoast_head_json":43,"_links":107},8654,"2016-05-18T21:32:08","2016-05-19T01:32:08",{"rendered":9},"http:\u002F\u002Fwww.grimanesaamoros.com\u002F?post_type=press&p=8654","2026-05-07T17:26:10","2026-05-07T21:26:10","the-getty-iris","publish","press","https:\u002F\u002Fwww.grimanesaamoros.com\u002Fpress\u002Fthe-getty-iris\u002F",{"rendered":17},"Getty",{"rendered":19,"protected":20},"\u003Cscript type=\"application\u002Fld+json\">\r\n{\r\n  \"@context\": \"https:\u002F\u002Fschema.org\",\r\n  \"@type\": \"Article\",\r\n  \"headline\": \"Artist Grimanesa Amorós on the Value of Public Art\",\r\n  \"mainEntityOfPage\": \"https:\u002F\u002Fblogs.getty.edu\u002Firis\u002Fartist-grimanesa-amoros-on-the-value-of-public-art\u002F\",\r\n  \"datePublished\": \"2015-09-24T00:00:00-05:00\",\r\n  \"image\": \"https:\u002F\u002Fblogs.getty.edu\u002Firis\u002Ffiles\u002F2015\u002F09\u002FGrimanesa_Amoros_Golden_Waters_11.jpg?x45884\",\r\n  \"author\": {\r\n    \"@type\": \"Organization\",\r\n    \"name\": \"Getty\",\r\n    \"url\": \"https:\u002F\u002Fblogs.getty.edu\"\r\n  },\r\n  \"publisher\": {\r\n    \"@type\": \"Organization\",\r\n    \"name\": \"Getty\",\r\n    \"logo\": {\r\n      \"@type\": \"ImageObject\",\r\n      \"url\": \"https:\u002F\u002Fd3vjn2zm46gms2.cloudfront.net\u002Fblogs\u002Fsites\u002F29\u002F2020\u002F08\u002F26112226\u002Flogo-getty-lg.png\"\r\n    }\r\n  },\r\n  \"description\": \"Artist Grimanesa Amorós on the Value of Public Art\"\r\n}\r\n\u003C\u002Fscript>\r\n\r\n\u003Cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-16171\" src=\"https:\u002F\u002Fgrimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002Fgrimanesa-amoros-getty-public-art-thumb.jpg\u002Fformat=auto,quality=85,w=1920\" alt=\"grimanesa amoros Getty public art light artwork\" width=\"1280\" height=\"887\" \u002F>\r\n\u003Cdiv class=\"post-categories\">\u003Cspan style=\"font-family: helvetica, arial, sans-serif;\">\u003Ca href=\"http:\u002F\u002Fblogs.getty.edu\u002Firis\u002Ftopics\u002Fart-stories\u002F\">Art Stories\u003C\u002Fa>\u003C\u002Fspan>\u003C\u002Fdiv>\r\n\u003Ch2 class=\"entry-title\">\u003Cstrong>\u003Cspan style=\"font-family: helvetica, arial, sans-serif;\">Artist Grimanesa Amorós on the Value of Public Art\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fh2>\r\n\u003Cdiv class=\"post-meta\">\u003Cspan style=\"font-family: helvetica, arial, sans-serif;\">\u003Cspan class=\"coauthors-links\">\u003Ca class=\"author url fn\" title=\"Posts by Rachel Rivenc\" href=\"http:\u002F\u002Fblogs.getty.edu\u002Firis\u002Fauthor\u002Frrivenc\u002F\" rel=\"author\">RACHEL RIVENC\u003C\u002Fa>\u003C\u002Fspan> | \u003Cspan class=\"updated\">SEPTEMBER 24, 2015\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fdiv>\r\n\r\n\u003Cdiv class=\"post-wrap\">\r\n\u003Cdiv class=\"post-content entry-content\">\r\n\u003Cdiv class=\"pf-content\">\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">Public art isn’t just bronze sculpture any more. Take the site-specific installations of contemporary artist \u003Ca href=\"\u002F\">Grimanesa Amorós\u003C\u002Fa>, found in public spaces from Tel Aviv to Mexico City. They combine lighting, metal, silkscreen, and hi-tech materials to create wondrous, walk-in lightscapes. With public art taking such a broad diversity of forms, how can it be conserved for the future? Grimanesa comes to Southern California to discuss the issue at the October conference \u003Ca href=\"https:\u002F\u002Fweb.csulb.edu\u002Forg\u002Fuam\u002FEVENTSfar-sited.html\">FAR-SITED\u003C\u002Fa>, which brings together artists, conservators, and arts leaders to discuss art made for public space. In advance of the conference, I asked Grimanesa—who was at home in New York briefly before jetting off to the HATCH summit in Montana—to talk about her work.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>What inspires your work?\u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">My current inspiration derives from nature and its natural elements, such as the Northern Lights and the Uros floating Islands in Lake Titicaca.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">When I traveled to Iceland and saw the Northern Lights, it was a life-changing and deeply inspirational experience. At that moment I was fully immersed and amazed by the lights and the intensity of the colors. The lights are a core memory that I will store forever.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>You’ve spoken about the influence of Peru in your artistic practice. What about it continues to inspire you?\u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">I have many good memories of my native Peru. Since I was a child, living on the coast of Peru, I’ve always loved the beauty of the ocean; everything from the tides, to the colors, to the bubbles and the foam along the shore, specially around the month of March.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">Off the coast of Puno, Peru, are the Uros Islands, floating islets made of totora reeds grown in Lake Titicaca. Everything, from houses to boats to watch towers, is made of these totora reeds. This truly fascinates me.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>What made you want to pursue public art? \u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">My experience in Iceland was a \u003Cem>wow\u003C\u002Fem>! I immediately thought how wonderful it would be to share this with others. Sharing one’s memories is sharing a piece of oneself. I’m intrigued by the accessibility and openness created by public art. I always enjoy seeing the expressions of viewers as they encounter my work.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>How would you define public art? And what would you say is unique about the experience of public art, versus other art forms? \u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">I would say what differentiates public art from other forms of art expression is that public art is site-specific and meant to be shared with others. The work has to generate a dialogue with its surroundings and community. A piece must be a part of the surrounding architecture or natural landscape.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">I like to guide my viewers. My goal is to express an awareness of whatever the piece entails. I want them to think about the work and its surroundings.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>Do you consider your work sculpture or installation? \u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">My work is sculpture and installation at the same time. Like sculpture, it focuses on the subject and the interpretation of the viewer. Like installation, it is site-specific and creates a whole environment.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>Your work incorporates complex custom lighting and high-tech elements, as well as materials such as aluminum, acrylic, and silkscreen. What are the challenges specific to creating this kind of art?\u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">Each sculpture requires detailed planning: designing the structures the LEDs or domes are attached to (usually a truss system), drawing up a list of materials and equipment, and deciding how to pack and unpack the work. The budget is extremely important to the quality of materials used during production.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">The entire process has a lot to do with the site where the work will be installed. Each site has its restrictions and constraints—currents, weather, buildings, sun, wind, building rules, time limits, use of materials, imagery. That’s okay, because as an artist, I use these constraints to help create a powerful piece.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>How do you interest government leaders in supporting and conserving public art?\u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">I am being invited to display more and more art in public spaces, so I believe that local and state governments increasingly understand the value of bringing art into their communities.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">As for conservation, I don’t think much about it when I create my work! Indeed, the openness of public art makes conservation much more difficult. I do take the work’s surroundings into consideration, however. For example, my recent project \u003Cem>GOLDEN WATERS\u003C\u002Fem> has to be water-resistant and withstand Arizona temperatures of 110 to 117 degrees, so I did a lot of tests in my studio.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>What are you looking forward to sharing with the audience at the \u003Ca href=\"https:\u002F\u002Fweb.csulb.edu\u002Forg\u002Fuam\u002FEVENTSfar-sited.html\">FAR-SITED conference\u003C\u002Fa>? \u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">I’m looking forward to sharing some of the challenges I’ve encountered in installing, de-installing, and conserving both outdoor and indoor pieces.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">\u003Cstrong>Why do you think this an important time to be talking about the conservation of public art? \u003C\u002Fstrong>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">Art has the power to speak to people—particularly public art, because of its wider audience and its openness.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-size: 10pt; font-family: helvetica, arial, sans-serif;\">I’ve always been fascinated by viewers’ responses. Their \u003Cem>wows\u003C\u002Fem>, shares on social media, and comments make me feel I am on the right track. That also means my work has to be well cared for. Conservation is a challenge faced by artists as well. Discussing the conservation of public art is timely not only for me but also for everyone who thinks public art is important.\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n \r\n\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan class=\"ind-copyright\" style=\"font-size: 9pt; font-family: helvetica, arial, sans-serif;\">Text of this post © J. Paul Getty Trust. All rights reserved.\u003C\u002Fspan> _______\u003C\u002Fp>\r\n\u003Cp style=\"text-align: justify;\">\u003Cspan style=\"font-family: helvetica, arial, sans-serif; font-size: 9pt;\">\u003Cem>Hear Grimanesa Amorós and Rachel Rivenc speak at \u003Cstrong>FAR-SITED: Creating & Conserving Art in Public Spaces\u003C\u002Fstrong>, a public conference taking place in Long Beach on October 16, 17, and 18, 2015. The event brings together artists, conservators, scientists, students, and arts leaders to discuss pressing issues of creating, displaying, and conserving art for public spaces. FAR-SITED is a collaboration between the University Art Museum at California State University, Long Beach, the Getty Conservation Institute, and the Museum of Latin American Art. \u003Ca href=\"http:\u002F\u002Fweb.csulb.edu\u002Forg\u002Fuam\u002FEVENTSfar-sited.html\">See the full schedule and register for one or more days here.\u003C\u002Fa>\u003C\u002Fem>\u003C\u002Fspan>\u003C\u002Fp>\r\n\u003C\u002Fdiv>\r\n\u003C\u002Fdiv>\r\n\u003C\u002Fdiv>\r\n\u003Cdiv class=\"post-footer\" style=\"text-align: justify;\"> \u003C\u002Fdiv>\r\n\r\n\u003Cp>\u003Cspan style=\"font-family: helvetica, arial, sans-serif;\">Read the article on Getty Blog: click \u003Ca href=\"http:\u002F\u002Fblogs.getty.edu\u002Firis\u002Fartist-grimanesa-amoros-on-the-value-of-public-art\u002F\">here\u003C\u002Fa>.\u003Cbr \u002F>\r\n\u003Ca href=\"https:\u002F\u002Fgrimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002Fgrimanesa-amoros-getty-public-art.jpg\u002Fformat=auto,quality=85,w=1920\">Download the article\u003C\u002Fa>. \u003C\u002Fspan>\u003C\u002Fp>\r\n",false,0,150,"",[25,26,27],1093,652,20,[29,14,30,31,32,33,34,35],"post-8654","type-press","status-publish","hentry","PressCategories-2013-2015","PressCategories-all-selected-press","PressCategories-select-press",{"poster-image":23,"pdf_url":37,"download":38,"press-pub_date":39,"press-ori_title":40,"press-writer":41,"press_writer_url":23},"https:\u002F\u002Fblogs.getty.edu\u002Firis\u002Fartist-grimanesa-amoros-on-the-value-of-public-art\u002F","https:\u002F\u002Fgrimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002Fgrimanesa-amoros-getty-public-art.jpg\u002Fformat=auto,quality=85,w=1920","September 2015","Artist Grimanesa Amorós on the Value of Public Art","Rachel Rivenc","\u003C!-- This site is 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