Throughout her career, Peruvian-born American artist Grimanesa Amorós has harnessed the medium of light to create immersive monumental sculptures that engage visitors in contemplation of their cultural heritage, community, and relationship to technology. In the art of Amorós, the past is meeting the future.

Her childhood fascination with light began on the shores of her homeland in Lima. The tumultuous waters of the immense pacific ocean would create iridescent sculptural foam. Amorós sites watching bubbles deflate and inflate, as if breathing, for the formal decisions in her later work.

Describing her work as a “constant romance with the unknown”, Amorós first incorporated light into her practice following a fated trip to Iceland. While there, she saw the northern lights and realized the powerful ephemeral magic light held. She discusses light’s ability to transcend social and geographic boundaries “we all connect to light.”

Drawing upon critical cultural legacies and landscapes, Amorós is inspired by the communities she creates within. Installing and programming each piece on-site, direct interaction with the surrounding architecture is key to creating her work. “Ultimately, the piece connects the viewers, space, and light sculpture, merging them into one.”

Jane Farver writes, “A joyful and generous spirit, Amorós views her art as a gift to others.” Amoros has connected cultures and viewers through the medium of light in the United States, Europe, Asia, the Middle East, and Latin America as a guest speaker at TEDGlobal 2014 and as a part of the Art in Embassies Program of the US.

Amorós has exhibited in the United States, Europe, Asia, Middle East, and Latin America. She was a guest speaker at TEDGlobal 2014, a recipient of the ‘NEA Visual Arts Grants Fellowships 1993 ’, and has the distinction of being part of the ‘Art In Embassies Program of the U.S.’ and the Civita Institute NE Chapter Fellowship Grant.