Art Es – Racimo is an outdoor site-specific lighting sculpture installation commissioned by International Corporate Art for the bridge on Central Park for Allure of the Seas at Turku, Finland.
Dimensions: 8 meters Width x 14 meters Length x 1 meter Depth
Remolino y La Maleta del Inmigrante
Centro Porsche Padova, Padova, Italy
Remolino è un è un progetto site specific, realizzato solo in parte, che vuole dare nuova vita al quartiere, arricchendolo di contenuti culturali e offrendo amenità per il pubblico. Le sfere nella valigia rappresentano i sogni, le memorie, gli schemi che portiamo con noi quando andiamo in un posto nuovo.
Remolino is a site-specific project, only partially realized, that wants to give new life to the neighborhood, enriching it with cultural contents and offering amenities for the public. The spheres in the suitcase represent the dreams, memories, and patterns that we take with us when we go to a new place.
WHAT A PIECE OF WORK, 1 min 36 sec by Grimanesa Amorós
Tuesday, August 10th, 2010 Opening: 21:00
Archeological Museum / Inner Yard
41 Maria Louisa Blvd, 9000 Varna, Bulgaria
See more information on Videoholica here.
Gawker Artists
Grimanesa Amoros has received a ton of press, including this write-up on Design Boom, for her work Aurora, at the Issey Miyake store in NYC. – Gawker Artists
info via Newsletter
‘aurora’ lighting installation
‘aurora’ is a mix media lighting installation that draws its influence from the natural phenomenon of northern lights. this sculptural piece created by peruvian interdisciplinary artist grimanesa amoro was installed at the tribeca issey miyake, a worldwide flagship store in manhattan that houses all the collections of the miyake brand under one roof.
‘light is one of my primary materials because it creates presence without physicality. in many occasions, it can be easily taken for granted, since much of what humans perceive comes from light, yet even that which is apparent can be mysterious. I’m always looking for the instance when light, in its changing forms, makes us contemplate and experience an ordinary circumstance in a different way.‘- GA
‘aurora’ lighting installation 13 inches x 8 inches x 6 inches
tribeca issey miyake storefront in downtown manhattan
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fiona db
En una cena que contó con la asistencia de destacados artistas y galeristas, la artista peruana Grimanesa Amorós presentó la instalación “La incubadora” en Nueva York. En ella, nos muestra su trabajo “You Cannot Feel It… I Wish You Could”, en le que explora la interacción de la biología con la sociedad y, en particular, el concepto de lo que sería el embarazo masculino a partir de su propia experiencia.
Desde Nueva York, por César Céspedes de COSAS February 2010.
En la esquina de la avenida Lexington y la calle 47, los vientres abultados con rostro masculino de Grimanesa Amorós buscan la mirada cómplice de los transeúntes.
La instalación “La incubadora” puede verse en la esquina de la avenida Lexington y la Calle 47. La muestra es posible gracias al trabajo conjunto de The Lab y la galería SLAG. Se exhibe en una de las zonas más concurridas de Nueva York. La instalación consta de once “clones” de un nuevo tipo de cuerpo humano: el torso de una mujer embarazada con una cabeza masculina. Las piezas fueron sacadas de un molde hecho con el cuerpo de la artista una semana antes de que diera a luz a su hija. La iluminación en el espacio y la música, una colaboración con el compositor Meshell Ndegeocello, quien creó una pieza musical hecha especificamente para la instalación, refuerza el carácter mágico que muchos de nosotros sentimos a la hora de afrontar las maravillas o los monstruos de la ciencia moderna.
Marek Bartelik as an Angel!
Rose Hartman and Grimanesa Amoros
Irina Protopopescu and Grimanesa Amoros
Carmen D’ Alessio, Grimanesa Amoros, and Aline Matsika
Aline Matsika
Grimanesa Amoros and Joyce Pomeroy Schwartz
Grimanesa Amoros and Taku Nishimae
Claudio Ivan Remeseira and Grimanesa Amoros
Grimanesa Amoros, and Susan Grant Lewin
Doris T Lozarda
Stephanie Jurburg
Phyllis Roome, Grimanesa Amoros, and Craig Unger
Barbara Hoffman and Grimanesa Amoros
Carmen D’ Alessio, Grimanesa Amoros
Pinta opening
Pinta opening 2
